The Club: Where American Women Artists Found Refuge in Belle Epoque Paris, by Jennifer Dasal

To the longtime followers of this blog, welcome back! It’s been a long time since I have updated this blog. (Does anybody read blogs anymore?) I feel like I’m updating a time capsule. To the new readers who just found me, welcome. Either way, I have some exciting news.

I am thrilled to share with you a newly published book called The Club, by Jennifer Dasal. Imagine my surprise when I read a book review, first in the Wall Street Journal, and then in the New York Times, about this book and its author, an art historian, curator and popular podcast host of the ArtCurious podcast. (ArtCurious episodes have for the most part ended, but there is an amazing archive of episodes from 2016-2023. If you haven’t followed them before, you can still listen to the archived episodes on your favorite podcast app. I’m now addicted to them as I walk my dog!)

In case you haven’t guessed yet, this book is about the title of this blog, the American Girls Art Club in Paris. Jennifer Dasal kindly gave me a shout out in the acknowledgments section (which as a former independent bookseller, I always read first) where she said “a special nod to Margie White, who clued me in to the Club’s existence in the first place.” Wow, little did I know that my decades old blog with so few followers could ever be such a big inspiration!

My longtime readers will know why I chose the name of this 1890s boarding house and women’s art club as the title of my blog, but in case you don’t know, you can read about it here. I did a little research into the history of the club myself, which I posted about here.

Like me, Jennifer Dasal was inspired and intrigued by the story of the Club and its members. However, thanks to all of the resources and skills from her MA in art history from the University of Notre Dame, Jennifer was able to do a deep and thorough dive into the history of the club, from its founders to its members to its allies in Paris and beyond.

The result is a fabulous book that needs to be on the shelves of any Francophile or fan of art history. It tells the lesser known story of the young American women who pursued their artistic dreams all the way to Paris. It was an era where young women’s dreams were limited and narrowly proscribed, so the chance to study art in Paris was liberating and life changing. It connects this Paris art club with the larger social and historical movements of the time, and helps to explain why so many of us have never heard about the club or the women artists who were thrilled to have made it their home.

The Club by Jennifer Dasal: Highly recommended.

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More Stories About Women Artists in Paris

For those who are interested in Dasal’s latest book, I invite you into the archives of my blog where I tell other stories of women artists in Paris at the turn of the nineteenth century, from Mary Cassatt to Cecilia Beaux and many more. Let me suggest the following (just click on the blue link):

Mary Cassatt’s Greater Journey

Mary Cassatt was one of the American pioneers who came to Paris in the late nineteenth century to study and practice art. She never left. This post traces Cassatt’s footsteps through Paris from her first apartment with her sister in 1874, and thereafter a fashionable apartment at 10 avenue Marignan near the Champs-Élysées.


Mary Cassatt’s Chateau de Beaufresne-

After spending nearly two decades in Paris, Mary Cassatt finally bought her own lovely French chateau in Le Mesnil-Theribus, a small village to the north of Paris. This post will take you on a rare view of the grounds and inside the chateau, which still stands today.

Mary Cassatt’s country home outside Paris: Chateau Beaufresne

Mary Cassatt’s Chicago Mural

In 1892, Mary Cassatt was commissioned to paint a giant mural for the Chicago World’s Fair. Cassatt painted her mural at a country home that she was renting in Bachivillers, France, a suburb of Paris just down the road from Chateau de Beaufresne. I was able to find the home and find out some local scoop. The story is that Cassatt had workmen dig a giant 60×6 foot trench in the backyard so that she wouldn’t have to climb on ladders or scaffolds to complete the outsized mural. 

Chateau Bachivillers, Mary Cassatt’s rental home north of Paris the summers of 1891 and 1892, the place where she painted the Modern Woman Mural for the Chicago World’s Fair of 1893.

Cecilia Beaux: The Power of Paris (1888)

I take a deep look at the time that American artist Cecelia Beaux spent in Paris and Brittany in 1888, guided by her autobiography Background with Figures (1930). You can’t help but notice the transformation Beaux underwent after her time abroad.

Berthe Morisot’s Garden

In this post, you can follow Berthe Morisot’s footsteps through Paris as she moves from home to home in the 16th arrondissement of Paris. Aside from her travels and her summers in suburban Paris, she spent her entire life in the 16th.

Berthe Morisot’s Interior: Her Last Home on rue Weber

In this post, I explore Berthe Morisot’s life after the death of her husband, Eugene Manet. If you go to rue Weber in the 16th arrondissement today, you can find Morisot’s lovely apartment still standing. There is no historical marker, and few of the neighbors I spoke to even know it was once Morisot’s home.

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Visiting Rosa Bonheur’s Studio 

Directions to and photos of Rosa Bonheur’s art studio in Thoméry, France, just an hour’s drive south of Paris near Fontainbleu. Rosa Bonheur was a famous 19th century French painter known for her realistic portrayal of horses and animals, particularly Horse Fair (1853-55), Metropolitan Museum of Art. One of my favorite art studio tours ever!

The Académie Julian and Women Artists in Paris

wherethelightfalls

Where The Light Falls by Katherine Keenum is a lovely painterly novel based on a young American who studies at the Académie Julian in late 19th century Paris. This post reviews the book and shares photos of the sites associated with Académie Julian, one of the foremost art academies for women in 19th century Paris.

The Painter at the Fountain: Jane Emmet de Glenn

This post explores the story behind the woman in this fabulous John Singer Sargent painting, The Fountain, Villa Torlonia, Frascati, Italy (1907) from the Art Institute of Chicago. Her name is Jane Emmet de Glen and she came from a long line of successful American women painters from New York. She came to study art in Paris in 1897, then met and married Sargent’s friend and fellow painter, John de Glenn. The three of them became loyal travel and Plein air painting companions.

Mary and Frederick MacMonnies, Parisian Power Couple

Mary Fairchild MacMonnies Low (1858-1946), was a St. Louis native who had won a scholarship to study art in Paris in the late 1880s. She met fellow American art student Frederick MacMonnies (1863-1937) and fell in love. Fairchild and MacMonnies shared an apartment and art studio at 16 Impasse du Maine which is now the site of Musée Bourdelle, one of Montparnasse’s little jewels.

Although my primary interest is in women artists, I would never turn down the chance to visit any art museum, studio or historical site. During my year in Paris and our visits since then, I managed to visit quite a few! You might enjoy my posts about the following male artists as well:

Luncheon of the Boating Party: A Day in Chatou

A Day with Renoir in Montmartre

Van Gogh in St. Remy

Claude and Camille Along the Seine

An Artist’s Weekend in Honfleur

Van Gogh in Auvers Sur Oise

Rainy Days in Paris (Caillebotte)

Cézanne and Chagall in Provence

John Singer Sargent and Madame X in Paris

On Sisley’s Trail Outside Paris

Degas and the Paris Opéra

Picasso in Paris

Claude and Camille Along the Seine

On the Banks of the Seine, Bennecourt, oil on canvas by Claude Monet, Art Institute of Chicago, Potter Palmer Collection

On the Banks of the Seine, Bennecourt (1868), oil on canvas by Claude Monet, Art Institute of Chicago, Potter Palmer Collection

This Monet painting has been a favorite of mine ever since my first bus trip to the Art Institute of Chicago as a young art student from Wisconsin. When I finally settled in Chicago as a young professional, I went back to the Art Institute again and again, always taking the time to stop in front of this Monet the longest. I even bought a poster reproduction and framed it in a bluish metal frame for my first Lincoln Park apartment.

So when I had a year to spend in Paris, I knew I wanted to try to track down the place this scene was painted. All I had to go on was “Bennecourt on the Seine.” Believe it or not, that was enough.

Bennecourt is about 16 miles from Giverny on some beautiful little back roads, and yes, it’s right on the river. So little remains the same along the banks of an old river like the Seine, I really didn’t expect to be able to recognize the exact spot where Monet painted. I just wanted to get out of the car and say I was there, that I was close.

In the painting, Claude’s first wife Camille is sitting on the Bennecourt side of the river, looking across at the inn they were staying at in Bonnieres-sur-Siene. The two-story inn is clearly reflected in the water, right in front of Camille’s face. The couple stayed here in 1868 when their first son Jean was only one or two. They weren’t yet married, and Monet was very much the struggling artist. He had not yet painted a single haystack or water lily.

My husband and I were driving along the Bennecourt side of the river, and I could sense the town was near. I was looking toward Bonnieres while my husband was talking away on an important international conference call. I practically screamed in his ear when to my sheer delight, I saw this sign, a part of the French government’s Path of the Impressionists:

A roadside sign on the banks of the Seine in Bennecourt, France.

Along D100 in Bennecourt

Along D100 in Bennecourt

Once we found our way to Bennecourt, it wasn’t much further to get to Vétheuil, the town where Claude and Camille lived toward the end of Camille’s short life. You just follow the little D913 road along the river from Bennecourt to Roche de Guyon and on to Vétheuil. There, in the old cemetery behind the church lies the sad and lonely grave of Camille Doncieux.

Camille Doncieux grave in Venteuil, France

Camille Doncieux grave in Véteuil, France

The new grave marker installed by a group of donors, Friends of Camille

The new grave marker installed by a group of donors, Friends of Véteuil

The old grave marker. There is no mention of her married name.

The old grave marker. There is no mention of her married name.

Vetheuil is a sad place to visit, knowing that Camille’s years here weren’t happy or healthy. By this time, Claude had already met his likely mistress and future wife, Alice Hoschedé, and their two families were living together in a strange mélange. Camille grew increasingly ill, suffering from an unknown ailment. Claude painted his last portrait of Camille on her deathbed in Venteuil.

Camille on her Deathbed by Claude Monet (187) Musée d'Orsay

Camille on her Deathbed by Claude Monet (187) Musée d’Orsay

If you haven’t already read Stephanie Cowell’s novel, Claude and Camille, I highly recommend it. Check out some of my other posts about Claude Monet in France, including Monet in Honfleur, A Guest Post by Stephanie Cowell, An Artist’s Weekend in Honfleur, and Say Yes To The Dress: Claude and Camille and Fashion.

Claude and Camille in paperback by Stephanie Cowell

Claude and Camille in paperback by Stephanie Cowell